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Showing posts with label Sleepy Hollow. Show all posts
Showing posts with label Sleepy Hollow. Show all posts

Friday, November 18, 2016

Farewell, Sleepy Hollow

"...my soul is not content to have lost her. 

Though this is the last pain she will make me suffer, 
and these are the last lines I will write for her."

Pablo Neruda, "Poem XX," Twenty Love Poems and a Song of Despair, 


Dearest Sleepy Hollow,

I loved you with all my heart. You know I did. You inspired me to an entirely new expression of my craft. You made me laugh, and think, and dream. In a way, you saved my life, and you'll never even know why. I made wonderful new friends because of you. I became acquainted with, then fell in love with, some marvelous actors and writers because of you. You changed my life irrevocably for the better. Even when you disappointed me, behaved erratically, abused me with promises you had no intention of fulfilling, still I loved you. 

But it's over between us. This is good-bye. I love the show I fell in love with and always will.  But you are no longer that show, and I need to move on.

Sleepy Hollow is a show set in Sleepy Hollow, New York. It's a show about the two Witnesses foretold in the Book of the Revelation tasked with stopping the apocalypse. The Witnesses are named Grace Abigail Mills and Ichabod Crane. Through them, Sleepy Hollow is, on a deeper level, a show about two very different people who become best friends, soul-mates really, and who appear to those around them (and many viewers) to be deeply, heroically, in love. It's cast includes people of color in starring roles (at one time 3/5ths of them). At its best it's been great; at its worst, it always shown such great potential.

Abbie Mills is dead, and Nicole Beharie has moved on to other acting projects. She's not coming back. The show has moved its setting to Washington D.C., which means at the very least they should change the name to Mr. Crane Goes to Washington. He's going to have a new partner, a new Witness, whom I think has just been blessed with Abbie Mills' immortal soul, which I still don't understand. What she or he is a Witness to, I don't know, since the apocalypse from the Book of the Revelation hasn't been seen since the middle of the second season. Jenny Mills, Abbie's sister, will be around. Ichabod Crane, a revolutionary who hates the idea of a Federal police force, is going to work for the government.

Whatever you are now, Sleepy Hollow, and whatever you will be, with the exception of wonderful Jenny, you are not this. And even if you prove yourself something wonderful in this new incarnation, pardon the irony, you betrayed my trust in becoming something I don't even recognize anymore. I can't invest in a story that I can't trust, no matter how good you are.

I have nothing against the new cast members of Sleepy Hollow. More than 90% of all actors are unemployed at any given moment; it's hard for me to judge anyone for wanting a job. I expect the new cast members will acquit themselves admirably with whatever they're given.

I have nothing against Tom Mison. I adore him as an actor and I admire him as a person. I will very much miss his portrayal of Ichabod Crane and very much look forward to watching him in anything else he does. I think Lyndie Greenwood is awesome, and wish her the very best.

But I have to accept that Sleepy Hollow will never fulfill its potential. It's time to let go and move on.

I would love be able to say, as Neruda does in “Letter From the Road” that this letter ends with no sadness. But it does. A profound sadness--ridiculous, really--for the death of a relationship between a woman and a TV show. But this is not just any show. It's the show that made me want to write for television. And despite my terrible sorrow at what it has become, that is still my calling and will soon be my job.

So for that, I must thank you, Sleepy Hollow, not only for inspiring me, but for teaching me what never, ever, ever to do to a faithful audience. I will do my best, once working in the industry, to use any and all power I have to keep such a travesty from happening again.

Peace out.



Monday, May 9, 2016

Or, Maybe the Sleepy Hollow Writers Deserve Raises and Trips to Bermuda

You never know what really goes on behind the scenes of a TV show.  I'll never know, most likely, what happened with Sleepy Hollow.

But when a writer from inside the biz, not affiliated with the show, posts an informative rant like the following, it kinda makes this writer want to eat crow, at least a little.

Thanks Eric

  1. 22) So to end the hypothetical, the question: Would you still want to write for TV?
  2. 21) AND STILL, you can't say a thing. You can't speak to what goes on behind the scenes for obvious legal reasons.
  3. 20) And so, you do your job. And when episode airs, fans write fanfic about you, writer, getting murdered. Piles of "fuck off & die" msgs.
  4. 19) This is your job as writer. You have the story, likely broken by room and/or showrunners. It's like trying to steer a train.
  5. 18) Now, finally, you get called into show office. You hope it's good news. "Write episode where Lead dies." Oh, no. No no.
  6. 17) Journalists who could make a few calls and get the real scoop decide instead to get clicks by supporting fan claims.
  7. 16) Meanwhile, it's not just fandom RAGING at you for "fucking up" Lead's role, now TV critics have hopped on. Without any research.
  8. 15) And again, you CANNOT say any of this publicly or else major lawsuit due to a number of laws on confidentiality+medical health.
  9. 14) Lead is relieved, they're getting what they want after months of frustration. But the DNA of the show has mutated due to constraints.
  10. 13) The reason you, writer, signed up for this is to write Lead and Co-Lead, now you don't get to do much of each. Plus Lead must exit show.
  11. 12) (And because Network operates on fear, the next week they say: Wait, make it so Lead can come back. Flip-flops a lot.)
  12. 11) The situation is becoming untenable. Lead has to go or else everything collapses. Network says: All right, kill Lead off.
  13. 10) New twists, next: Co-Lead realizes Lead has gotten a deal, and demands the same. Now you're really screwed. Network says: Manage it.
  14. 9) So to comply with medical condition as per Lead's note, you drop Lead out of some episodes. Fans rage at you. Not network -- you.
  15. 8) This is a ridiculous task for any writer. Especially since Lead is one of the engines for your show. Yet here you have to do something.
  16. 7) This medical condition progresses, according to Lead, to where Lead's agent demands: "Lead should get every 3rd episode off."
  17. 6) If you do, you open yourself and the network to lawsuits. So now you are burdened with a SECRET problem + fewer scenes for Lead.
  18. 5) Here's where it gets VERY tricky, legally. Due to confidentiality, you can't ask the ailment. You CANNOT share it publicly either.
  19. 4) While dealing with this, possibly during shooting, Troubled Lead comes in with a doctor's note that Lead must get reduced hours.
  20. 3) Your lead then asks for reduced hours. Fewer scenes. Something to ease the wanderlust. This makes it hard in new ways, naturally.
  21. 2) You now have a cranky lead making things tough for everyone else. You try to bear it best you can.
  22. 1) HYPOTHETICAL: You write for a show. One of your leads wants to leave and try movies for a while. Network says, "Uh, no. You're a lead."